Happy Sunday, everyone! It’s been a while since I’ve visited the Martini Club, but I’m so happy to be here now. I’ve been settling into a new home in Santa Fe, working on several projects, and enjoying all the new martini clubs here (if you’re ever in Santa Fe, Secreto is great!) Today, I am reposting an old article from my other blog (Risky Regencies) about an earlier 1920s story I wrote, which served as the launching place for Rebellious. The Girl in the Beaded Mask starred Jessica’s older sister Lulu, and in that story I just pictured Jess like one of the mischevious younger cousins in Nancy Mitford’s The Pursuit of Love (one of my favorite books ever). She turned out to be so much more!
If you’d like to read Girl, it’s available here–and I will also give a free download to one commenter on today’s post!
“There was music from my neighbor’s house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars” –The Great Gatsby
Ever since I read my first F. Scott Fitzgerald story in school (A Diamond As Big As The Ritz) I’ve been in love with this era. I love the gorgeous clothes, the music, the fancy cars, the cocktails, the sense of wild new freedom. But the 1920s were also so much more than that, a period of extreme and swift change after the horrors of World War I (which wiped out almost a whole generation of young men, and changed the way society worked in Europe forever). There is so much scope for drama and beauty in a story, not to mention beaded gowns and t-strap high heels. So I was practically jumping up and down when Harlequin gave me the go-ahead to write Lulu and David’s story.
Another thing I love is a good friends-to-lovers story, which Girl sort of is. Lady Louisa “Lulu” Hatton has been in love with David Carlisle for as long as she can remember. He was friends with her older brother and often visited the Hatton home, and he always loaned her books, took her swimming–and then danced all night with other girls. Until the war. Her brother was killed and David horribly injured. He’s turned into a recluse, never leaving his country manor, but she’s heard he will attend the infamous Granley masquerade ball, a wild, debauched spectacle beloved by all the “Bright Young Things.” So of course Lulu devises a way to sneak off to the party and find him, make him see how much she loves him, how much he has to live for–from behind her beaded mask.
Since I switch up time periods in my writing, I always try to immerse myself in whatever the setting of the next WIP will be, even for a short story like this one. Reading books of the era (non-fiction, primary stuff like diaries, even novels), watching movies set in the era and digging around on-line for images gets me in the right mood for Elizabethan, Regency, Georgian, whatever, and I had so much fun with the 1920s. (Did you know there was a version of Gatsby with Toby Stephens aka Mr. Rochester as Gatsby?? And Baz Luhrman’s newer, er, colorful version with Leonardo DeCaprio and Carey Mulligan…). Here are a few of the books I found really useful, if you’d like to look into the era more closely yourself:
Ronald L. Davis, ed: The Social and Cultural Life of the 1920s
Stuart A. Kallen, ed: The Roaring Twenties
Nathan Miller: New World Coming: The 1920s and the Making of Modern America
DJ Taylor: Bright Young People
Humphrey Carpenter: The Brideshead Generation
Mary S. Lovell: The Sisters: The Saga of the Mitford Family (often a bit later than the 1920s, but very useful for seeing how a certain segment of English society lived in the period; also lots of fun!)